Archival interview with Cory Schmidt from the official Matrix website. MATRIX: Outline your role in the production of THE MATRIX 2 & 3. CORY: I’m with Local 16, San Francisco, California, working here for the […]
Archival interview with Owen Paterson from the official Matrix website. MATRIX: How have things changed for you in the year since The Matrix was filmed? OWEN: Things haven’t really changed for me. Like all designers […]
Archival interview with Kevin Metz from the official Matrix website. MATRIX: What does being a SPFX PA entail? KEVIN: On this show, I have helped rigging up cars and have also been on set working […]
Archival interview with Phillip Ho from the official Matrix website. MATRIX: What have your main roles been here on THE MATRIX sequels? PHILLIP: I was the car Rigging Key for the freeway sequence, and here […]
Archival interview with Simon Murton from the official Matrix website. MATRIX: Have you always worked in film? SIMON: I first worked in England, coming up through the ranks from a tea boy; my father was […]
Archival interview with Mark Koivu from the official Matrix website. BACKGROUND MATRIX: What projects have you worked on for this production? MARK: I’m one of about twenty effects guys on this show, and we all […]
My Little Pony: Friendship is Magic is a show that has, against the odds, become a cultural phenomenon. It’s become such a big part of culture that people are now making parodies with it. Very […]
Archival interview with Greg Collis from the official Matrix website. MATRIX: What exactly does a Rigging Grip do? GREG: We hang lots of stuff. We hang trusses so the electricians can put up lights, we […]
Archival interview with Karen Murphy from the official Matrix website. BACKGROUND MATRIX: What does your role as Assistant Art Director entail? KAREN: It entails, basically, set design and the follow through of that design, as […]
Archival interview with Tony Centonze from the official Matrix website. MATRIX: What is your background? TONY: I worked on The Flintstones, did several years at Universal, and in different prop shops around the industry. I […]
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